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Steven Quon

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BLOG: STEVEN QUON
 

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FEBRUARY CLASSIC I AT SPRUCE MEADOWS

Steven Quon February 5, 2018

Thank you again to Spruce Meadows for having me back and this time to the February Classic I.

It was a blast and truly an amazing experience moving forward! What incredible jumpers in this event - and this is the very first event to the start of 2018!

Like I mentioned in my preview post, I took all of these photos in a single shot. This is now what I feel the most comfortable with when photographing jumping.

I will mention that I am trying REALLY hard to get permission to be IN the ring. This would give me SO MUCH MORE freedom to get a larger variety of shots. I want to get lower, I want to get closer, I want to have complete freedom to go where as I please. I did a small show a couple months ago IN the ring and it makes a night and day difference.

With that being said, I can't wait for the next event!

CLICK HERE to view all the photos.

In EQUINE SHOWS & EVENTS
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GRANT MACKINNON (MACKINNON EQUINE SERVICES)

Steven Quon January 30, 2018

I would like to thank Grant MacKinnon for demonstrating your wonderful craft and talent in Equine dentistry. It was my pleasure working with you and seeing first hand how you take care of horses teeth.

You definitely provided me with a good challenge! When I arrived, I had to change things up a bit because I was not expecting a head Iamp to be used and it definitely made the photo shoot that much more challenging (but of course incredibly rewarding when it's all said and done). I shot this with a mix of off-camera flash to start then as more natural light came in I was able to put it away.

Unfortunately, I couldn't get any environmental portraiture shots because the barn was just too busy and there was just too much going on in the back. So instead I solely focused on just capturing what this man does best. Grant, keep up the great work that you do and are known for! You put a lot of pride into your work and it shows!

CLICK HERE to view all the photos. 

In EQUINE PORTRAITURE
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BEST CAMERA UNDER $1000 TO PHOTOGRAPH HORSES

Steven Quon January 25, 2018

In continuation from my last blog post, here is my #1 Camera recommendation under $1000CDN  that I would recommend for beginners looking to photograph their horses. Camera's $1000 or less are incredibly tough to choose from because you usually don't get a lot for this amount of money, however there are exceptions and this specific camera being one of them.

This camera in many ways is quite advanced but it's very easy to learn and are great for beginners just starting out in photography or anyone who wants a very good capable camera with plenty of zoom and a huge step up over their phone. Remember what I suggested before as one of my top tips - that the quality of your lens and sensor inside the camera is just as important (if not more) than the camera itself.

This is a "bridge" camera that I am recommending and it has very good glass on it running off a very good 1" Sony sensor.

Some may find my article too technical so I apologize if that is the case. Unfortunately when discussing a topic like recommending specific camera gear, you have to be technical but I always try my best to not get "too" technical :).

Photographing horses you will want a long lens that exceeds 250mm and up (400mm is even better but unfortunately you will pay a premium to go from 300mm to 400mm). Like I've said before, when it comes to photographing horses, you can never have too much reach (zoom) but you can easily have not enough - more is better.

You may also want extra low light ability because chances are you will be taking photos inside barns and most barns tend to have poor and inconsistent lighting, hot spots, etc. But again, this is all dependent on the user and how specifically they will be using the camera. If you are looking for an "all in one" do it all camera that you never have to change lenses or buy additional lenses for, then this is THE camera that I highly recommend for less than $1000CDN.

Some may find my article technical. Unfortunately when discussing a topic like recommending specific camera gear, you have to be technical but I always try my best to not get "too" technical. :)

Photographing horses you will want a long lens that exceeds 250mm and up (400mm is even better but unfortunately you will pay a premium to go from 300mm to 400mm). Like I've said before, when it comes to photographing horses, you can never have too much reach (zoom) but you can easily have not enough - more is better.

You may also want extra low light ability because chances are you will be taking photos inside barns and most barns tend to have poor and inconsistent lighting, hot spots, etc. But again, this is all dependent on the user and how specifically they will be using the camera. If you are looking for an "all in one" do it all camera that you never have to change lenses or buy additional lenses for, then this is THE camera that I highly recommend for less than $1000CDN.

However, this is not a camera to be used in really low light, but again for $1000CDN you will not get any strong performer in low light. Expect to spend at least $2000+ CDN to get strong performers in really low light.

You may also want extra low light ability because chances are you will be taking photos inside barns and most barns tend to have poor and inconsistent lighting, hot spots, etc. But again, this is all dependent on the user and how specifically they will be using the camera. If you are looking for an "all in one" do it all camera that you never have to change lenses, buy additional lenses for, this is THE camera that I highly recommend for less than $1000CDN. However, this is not a camera to be used in really low light, but again for $1000CDN you will not get any strong performer in low light.

𝟭. 𝗣𝗮𝗻𝗮𝘀𝗼𝗻𝗶𝗰 𝗙𝗭𝟭𝟬𝟬𝟬 (𝗖𝗼𝘀𝘁: 𝗔𝗽𝗽𝗿𝗼𝘅 $𝟴𝟬𝟬-𝟵𝟬𝟬𝗖𝗗𝗡 𝗼𝗿 𝗹𝗲𝘀𝘀)
I used to own this camera, had it for just under a year and shot extensively with it for both photo and video (not so much with horses but just in general). I will say one thing about this camera, even going into it's fourth year since being released in 2014, it can't be beat in terms of bang for your buck. The only bad news is that it's a discontinued model and the only likely places to find it are on Amazon, ebay or second hand. But if you can get your hands on this camera, trust me, you will love it. 

It has a 25mm-400mm lens that shoots at f2.8 wide open off a 1" sensor. It's not a DSLR and it won't give you the low light ability of a DSLR, but the best part about this camera is it's versatility as it gives you 400mm of reach in one lens, yes one lens. It is a bridge camera so that means that the lens is fixed (can't be changed), but this specific model was a top of the line bridge camera offered by Panasonic that offers stellar performance due to a stellar piece of glass running off a Sony sensor (Sony makes the best camera sensors in the world by the way). 

This camera also happens to shoot 4K video with most of the same video codes found in the higher up Panasonic Pro cameras like the GH4. Panasonic is one of the top two camera manufacturers in the world when it comes to video. If you want to take pictures AND take video, this camera simply can't be beat for the money. Being able to take photos of your horses way in the field is one thing, but record video as well? Trust me, it's amazing! For the money, this camera can't be beat.

𝗪𝗵𝗼 𝗶𝘀 𝗶𝘁 𝗳𝗼𝗿:
- Someone looking for an all in one camera and doesn't want to fiddle around with lenses and having to change them. 
- Someone who wants to take photos and record video.
- Someone who wants to capture photos of their horses way in the fields.

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SKIJORING PRACTICE

Steven Quon January 21, 2018

Thank you to Chelsea Brown for letting me take pictures of your Skijoring group practicing for the official competition in a couple weeks. Good luck to you all! :)

I wanted to try this out because it's different. I've never photographed sports before and I figured this would be a nice challenge.

Because I've never seen Skijoring before, I wanted to focus solely on capturing the horses and riders in their best form and not so much creative shots.

The sunset afterwards was so nice that I had to get that in as well.

CLICK HERE to view all the photos.

In EQUINE SHOWS & EVENTS
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5 REASONS WHY YOU SHOULD CONSIDER A BRIDGE CAMERA OVER A DSLR

Steven Quon January 20, 2018

5 Reasons Why You Shoulder Consider a Bridge Camera over a DSLR When Learning Photography

One of the biggest misconceptions often heard for people just starting out in photography is that you need a DSLR camera and nothing less - well this couldn't be any further from the truth.

Yes you get what you pay for when it comes to cameras but there is no standard as to what you need when starting out. There is also no such thing as a "perfect" camera and this is why professionals often have multiple cameras in their inventory because they each serve it's own purpose and each has it's pros and cons.

This is how camera manufacturers make their money and it unfortunately makes the general consumer walking into the store often overwhelmed and confused by the endless amounts of information and product out there. When judging a camera it's not just about the camera itself, it's also a combination of the quality of the lens and the sensor used in it.

Many people judge a camera by the number of megapixels that it has. Well I hate to say it but it is not all about the number of megapixels that a camera has, in fact megapixels have very little to do with it. Unless you are doing massive prints for a gallery, the majority of people should put very little emphasis on megapixel count. Instead, better advice - ignore it altogether.

So here are my top 5 reasons on why you should consider a bridge camera:

1. CONVENIENCE - People in the Equestrian world are busy, often have several things going on at once while being with the horses and a bridge camera will be the most convenient for you because it is an all in one, do it all camera. You grab and go, simple as that.

2. FORM FACTOR - When being compared to DSLR cameras, DSLR's are much bigger and heavier than bridge cameras. Although some models these days are quite slim and light, realisitically speaking, none are going to be able to slip in to your bag or purse. A bridge camera is nowhere near as compact as a point and shoot camera, but it will give you a lot more usability and functionality over a point & shoot camera and in a much lighter and smaller package than a DSLR camera package would. As a result of having a lighter and more compact camera, it will only encourage you more to bring your camera along with you a lot more often. 

3. VERSATILITY - Bridge cameras are known for it's long reach because they have a really long lens. You can go from wide to telephoto (and vice versa) without ever having to change lenses, thus making the camera serve multiple purposes in terms of what type of photo you are trying to get. You will be prepared and ready to capture any type of shot at all times, so the chances of you missing out on a moment (because you didn't have the right lens on) is zero.

4. BUDGET - On a value for your dollar sense, you generally get more for your money over any other type of camera. Not only does it keep your wallet heavier but it gives you great piece of mind knowing what your final cost is because you do not have to spend more money on additional lenses, cases, bags, etc.

5. TECHNOLOGY - Camera technology evolves so quickly and has progressed so much over the past decade (or even five years) that today's top of the line bridge cameras come with top of the line 1" sensors inside them and they match (if not exceed) the picture quality and performance of entry level DSLR's of years past. This is why the market for the "bridge camera" has not died, if anything, it has increased in popularity and demand over the years. Bridge cameras have their place. 

Majority of people today who buy a DSLR will only use the lens that comes with their bundle. Well the lenses found in these top of the line bridge cameras today are more often than not significantly better than any lens that you would get included in a DSLR bundle package.

---

There, I hope by reading this that it helps you for the next time you are shopping for a new camera that there are options in terms of what "type" of camera you can go for and that perhaps a bridge camera just might be the best fit for you.

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STARTING OUT IN PHOTOGRAPHY: MY TOP 10 TIPS

Steven Quon January 11, 2018

One question that I get quite often is, "I want to learn how to take good photos of my horses, what's the best way to learn photography?

This is definitely a question that I get asked a lot, not just in the Equestrian world. The number one suggestion I make to people who want to get into photography, is to not get overwhelmed by the amount of information out there in the photographic world. Yes it is an endless amount of information, and it can be confusing at first but it's well worth the time weeding out the worthy information from the incorrect information. Take the time to educate yourself and you will avoid problems and mistakes down the road.

Now as for photographing horses, I can't say that I would be the best source for providing tips on photographing them (mainly because I am rather new to it and still very much learning), but I am able to provide my top 10 tips on getting yourself into the wonderful world of photography as a whole.
 

 

1) DON'T FALL FOR HYPE AND MISCONCEPTIONS.
There are many misconceptions in the photographic industry that many tend to fall for and it's extremely important to not buy into the hype. For instance, one misconception that has always been around (and unfortunately always will be around), is that buying a really expensive camera will instantly get you better photos. The more expensive the camera, the better the photos. "I bought a new expensive camera so that means I will have better photos". False! Photos are purely the result of who is taking them and the glass that is being used on those cameras. The camera itself still matters but it's the photographer's ability to operate that camera and their creative vision that determines the final product.

For instance, I have a friend who shoots weddings professionally with an entry level camera but because he understands how photography works and uses only high end glass, one would never be able to tell that he shoots with a $500 camera when they see his finished product.
 

2) BE PATIENT.
Photography is definitely NOT an overnight thing to learn simply because it is a craft that one will never master in life. There is no finish line, no end point, you will constantly work to get better and that is what makes photography so great! Patience is a virtue and you will be rewarded!
 

3) SHOOT IN GOOD LIGHT.
When you first start out learning photography, I would suggest shooting in good light because it will make things all that much easier. Lighting isn't necessarily difficult to learn but it can be overwhelming and frustrating to beginners, so why not completely eliminate this possible issue altogether by properly lighting up your subjects? Also, because most entry-level cameras have entry-level lenses and those lenses are not the best choice for low light situations, it is not the best scenario to learn in. Set yourself up for success by having lots of light surround you.
 

4) LEARN HOW TO EDIT YOUR PHOTOS.
I still firmly believe that this is perhaps THE most overlooked skill that greatly determines just how good of a photographer one is - their ability to edit their photos from the camera in post. A photographer's skill level in editing photos is just as important as their skill level in actually taking the photo itself. Many people believe that when you take a photo that, that is the finished product but rather it's the base product for the photographer to work from.

Let's face it, photos from the camera are ugly, it's in post where the magic happens. A photographer who has incredible skill in working images in post can really take their market by storm and their products to a whole new level. I've seen it time and time again but it differentiates amazing photographers from just good ones.This will always be their secret!


5) INVEST IN THE GLASS, NOT THE CAMERA.
Start by purchasing an entry level camera body and stick good glass on it, and I mean REALLY good glass. I can't emphasize this enough. The #1 mistake that people make when starting out is buying a really expensive high end camera that is too advanced for them and using the lens(es) that come with it (aka kit lenses). For one, entry level camera bodies will have a more friendly learning curve when learning how to use it and when you feel that you have mastered using it, you can always upgrade to a higher end model. And two, it doesn't matter how great your camera body is, if you stick sub-par glass on it, you will never get near the maximum performance out of your camera. It's lenses that give you the versatility when learning, not camera bodies.

For example: Purchasing a $500 camera body with a $1000 lens is a far smarter purchase than a $1300 camera body and a $200 lens. Set yourself up with the right gear for your needs and it will pay huge rewards in the future.
 

6) TAKE BABY STEPS. IT'S A MARATHON, NOT A RACE.
If you google "How to learn photography" you will see the hordes and hordes of information out there and for free! I will admit, when I first started out, I found it incredibly overwhelming, but speaking from experience remember that there is no immediate rush in learning this and that. Take baby steps. Learn the basics. Learn one thing then when you are comfortable with that, move onto the next. Then go back and refine your knowledge.
 

7) BUY THE GEAR THAT SUITS YOUR NEEDS, NOT THE GEAR THAT EVERYONE IS GOING CRAZY FOR.
Every photographer has different tastes and every photographer has different needs. As a professional, you can never have too much gear but only buy gear that you need. Always buy the gear that is truly the most desperately needed in your system, not just that sexy new bit of gear that everyone is running to the stores for.
 

8) SHOOT WITH ONE LENS.
I used to tutor individual photography workshops. Students would often show up with far too much equipment. New cameras, lenses, tripods, you name it. The first half of their workshop was spent attempting to navigate around and beyond all of their equipment. Too much time was spent staring at screens and not at what was actually happening around them.

Starting with one lens starts you on the path to becoming a master of that one lens. Then grow and build from there by learning another lens. But in the meantime, don't overwhelm yourself with too much gear.
 

9) PRACTICE AND EXPERIMENT.
Practice makes perfect. Practice allows you to refine your skills and apply your knowledge in the real world, in real time. Experiment with an open mind and see what works and what doesn't.
 

10) LEARN FROM OTHERS.
Just like learning about horses, watching and learning from others is an incredibly valuable method to further enhance your knowledge. You will see and learn things that you won't get from reading books and watching video tutorials. Observe how others hold their camera, how they stabilize themselves when taking photos. Pay attention and pick up on the little details here and there because they most definitely matter!

In EDUCATIONAL Tags TIPS, LEARNING, TUTOR, ADVICE
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MY EQUINE PORTRAITURE SERVICE HAS EXPANDED!

Steven Quon January 10, 2018
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Due to many requests, I am proud to announce that I now offer two types of Equine Portraiture:

Equine Portraiture: With People
& 
Equine Portraiture: Just Horses

Not everyone wants to be in the photos, some people are wanting photos of just their horse(s), whether it's portrait, them running, playing, in the herd, or just being a horse. Photos for them to either share with friends and family or print and frame them to be hung in their homes, barns, etc.

Prices for the two remain the exact same. Please visit www.stevenquon.com for a full breakdown including pricing.

As the weather becomes warmer and Spring comes closer, expect to see me a lot more out in the fields just shooting horses.

In EQUINE PORTRAITURE, PRODUCT & SERVICES Tags Services, Equine Portraiture
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